
“Metamorphosis of consciousness:
from image to presence”
Group project concept
“We are not human beings having a spiritual experience.
We are spiritual beings having a human experience.”
— Pierre Teilhard de Chardin
This project unfolds as a conceptual creative dialogue between artists united by a shared interest in consciousness as a living, multilayered process revealed through personal experience and individual visual languages. It brings together seven women artists from Greece, Germany, the United States and the United Kingdom, working across diverse media from painting and drawing to sculpture and mixed techniques.
In their works, the artists consider consciousness not as a fixed state, but as a continuous process of formation, unfolding through internal transitions: moments of choice, doubt, resistance, reflection and creative action. Through visual imagery, consciousness emerges as a space where matter and light, memory and imagination, personal history and archetypal forms intersect, allowing an awareness of one’s own inner movement to surface.
From this inner movement, the artistic gesture arises not as an illustration of an idea, but as a form of presence and a way of articulating lived experience. Within the project, artistic practice becomes a point of contact between the inner and the outer, where the invisible takes shape and the internal becomes perceptible. This shift, from image to presence, defines the core trajectory of the project.
Metamorphosis of Consciousness does not seek to provide definitive answers. Instead, it opens a space for questioning, where consciousness is revealed as a process—a passage from external form toward inner presence. This is an invitation to a state where a person begins to perceive what is happening not only as a sequence of external events, but as a reflection of his own internal experience.
Works by Alina Altukhova, Natalia Averianova, Natalya Raduenz, Nina Kruser, Olga Ivkin, Alina Viktoria Nouridou, Anna Yakusheva
Project coordinator: Anna Yakusheva
Spatial Concept
The works of the project are arranged as a sequence of inner states in which consciousness gradually shifts its focus from external image toward inner presence. This path is neither linear nor universal; it unfolds through personal experience, bodily sensations, memory and archetypal imagery.
Each artwork stands as an independent point of experience, yet together they form a shared space in which the viewer can trace a transformation of perception: from recognizable forms and symbols toward more subtle, integrated and inwardly oriented states.

. Trajectory of Perception 1. External Image The trajectory through which the works of the project unfold begins with the image of an external ideal—a form that promises wholeness and perfection, yet lacks inner depth. It is a state of living under an external gaze, where a person perceives themselves through expectations, norms and reflections that speak more about the world than about their own essence. 2. Shifting the Focus Inward Gradually, the works initiate a movement toward inner experience through the body, intimacy, vulnerability, and through the dynamics of connection and separation. This path is not tied to gender as a social category; it belongs to anyone who enters into contact with themselves. The feminine image appears here as a metaphor—a symbol of inner birth, transformation and the formation of a new mode of perception. It is here that the need arises to understand one’s boundaries, one’s nature, one’s “self,” which no longer fits within former definitions. 3. Encounter with the Shadow As inner attention deepens, a person encounters those layers of experience that have long remained outside conscious awareness: early memories, repressed impulses and fragments of experience hidden beneath the surface of everyday life. The visual languages of the participants differ, yet each work becomes a point of encounter with what usually remains unspoken. These encounters open the possibility of gathering fragmented inner parts into a new sense of wholeness. 4. The Archetypal Dimension Some works turn toward archetypal images of the feminine not as personal narratives, but as universal symbols of intuitive knowledge, transformation and inner growth. These images connect individual experience with collective memory, with the structures from which myths, symbols and inner reference points emerge. Within the context of the project, the feminine becomes a metaphor for birth not of the body, but of a new way of perceiving. 5. Presence When inner fragments begin to connect, light emerges—not external, but growing from within. This is a state in which the gaze becomes focused, presence deepens and perception gains coherence. In some works, this transition is expressed with particular clarity: as the awakening of the observer, as an inner radiance, as the return of the ability to see oneself from within. It is a state in which consciousness becomes discernible through embodied presence. 6. The Birth of Wholeness The concluding image of the exhibition is a symbol of the emergence of a new level of consciousness — not as a biological act, but as a metaphor for inner evolution: a state in which lived experiences manifest naturally, without the loss of inner light. It is a moment of wholeness in which a person finds inner support within themselves, allowing perception to remain grounded, clear and present within embodied experience.
The project is conceived as a unified spatial narrative
The arrangement of the works invites a continuous experience rather than a sequence of separate pieces. Meaning unfolds through spatial relationships, pauses and transitions. To encounter the project in this way, the exhibition can be explored in a 3D environment.
For galleries and partners
Metamorphosis of Consciousness is an international group exhibition project currently seeking institutional partners, exhibition spaces, and production support. We are open to collaboration with galleries, cultural institutions, and sponsors interested in supporting a contemporary art project that explores inner transformation, perception, and presence through painting, sculpture, and mixed media.
The project is adaptable to different exhibition formats and scales and can be expanded with additional works and site-specific elements. We welcome dialogue regarding hosting, co-production, funding, promotion, and long-term collaboration.
For partnership inquiries, please contact annayakusheva.art@gmail.com

ALINA ALTUKHOVA
abstract artist
Alina Altukhova is an American abstract artist and architect of Ukrainian-Bulgarian descent, with a European education, currently living and working in California.
In the Barbie’s Dreams series, Alina engages with the image of Barbie as a cultural code—a point where mass culture intersects with personal memory, gloss and anxiety, the real and the artificial. Barbie appears not as a character, but as a simulacrum of idealized identity, embedded in collective imagination and shaped by social expectations.
This work reveals the external layer of consciousness—a space formed by projections, visual norms, and ideals through which identity is first constructed. By placing a familiar pop-cultural symbol within a painterly and abstract context, the artist turns it into a tool of critical exposure. The viewer is invited to reconsider inherited ideas of beauty, the body, desire and to notice the moment when surface visibility loses its authority, opening a path toward inner perception.

Barbie’s Dreams, 2025 | Mixed Media, brushed aluminium dibond, 40x50 cm

NATALIA AVERIANOVA
watercolor artist
Natalia Averianova is a contemporary artist working primarily in watercolor, whose practice combines abstract expressionism with conceptual symbolism. Born in Minsk in 1984, she is currently based in Stuttgart, Germany.
In work "Embryo", Natalia explores an inner conflict experienced during the transition into motherhood. Flowing lines and the embryonic form intertwined with feminine contours express a state of duality—vulnerability in the face of new responsibility and the emergence of a profound, transformative love through the dissolution of ego. The composition unfolds as a bodily and emotional landscape, where boundaries between self and other begin to shift.
Intense reds, pinks, and blacks convey an emotional storm of fear, pain, and vital force. The work embodies a moment of transformation in which fragility and love are no longer opposed, but merge into a single, formative experience one that reshapes identity from within.




Embrio, 2024 | Watercolor on paper 76 х 56 cm

Natalya Raduenz
VISUAL METAMODERNISM ARTIST
Natalya Radünz (b. 1980, Ukraine) is a metamodern artist and icon painter based in Germany.
Before the First Light is part of an ongoing series of thirteen mixed-media works in which Natalya explores the body as a space of memory, sensation, and presence rather than representation. The series unfolds as a return to an origin point—a state before form, before language, before separation, where life is not yet defined but already felt.
Through softened, dissolving forms and restrained luminosity, the artist seeks a resonance between apparent opposites: chaos and order, the physical and the metaphysical, masculinity and femininity. Bodies emerge not as objects of gaze, but as carriers of quiet truth—vulnerable, permeable, and attentive. Light appears not as illumination from outside, but as something inhabiting the body itself.
This work opens a contemplative space in which closeness is sensed rather than shown and meaning arises in the silence between forms—a state where perception slows and presence becomes tangible.




Before the First Light, 2026 | Mixed Media, 60 × 90 cm

Nina Kruser
VISUAL ARTIST
Nina Kruser (b. 1982, Tajikistan) is a contemporary artist based in Germany. Her artistic foundation was formed through formal art education in Russia, which became a significant grounding for her practice.
This work is part of the ongoing Pattern series, in which Nina explores the labyrinth as an archetypal structure of self-recognition rather than disorientation. A barely perceptible face emerges through dense ornamental patterns, reflecting the tension between public appearance and private inner truth.
Delicate graphic motifs form a visual network of internalized social norms, habitual responses and unconscious behaviors—structures that shape identity while simultaneously limiting it. The labyrinth becomes a space of encounter: with one’s own reflections in others, with fear, expectation and learned roles.
The restrained palette of earthy, muted tones: gray-browns and beiges— evokes depth and introspection. The work poses a timeless question: can we ever exit the labyrinth if the labyrinth is ourselves? Or is the only true exit a conscious recognition of its structure and the choice to navigate it on our own terms?




PAT LII, 2025 | Oil, pensils on canvas 60 х 90 cm

Olga Ivkin
VISUAL ARTIST
Olga Ivkin is a visual artist based in Portland, Oregon, USA. Her practice explores the complexity of human relationships, the subtle bonds between individuals and the intersections of nature, society and the sacred. Themes of motherhood, family and the presence of the divine in everyday life form the core of her artistic inquiry.
"Praying for You" is part of the series We All Spring from Childhood, in which Olga works with her children’s drawings as a material of memory and time. These fragile, intuitive forms become carriers of deeply embedded emotional patterns—traces of early experience that continue to shape perception, behavior and choice.
The work reflects on how time may soften the surface of old wounds, yet the fundamental blueprints formed in childhood persist, quietly guiding the way we read the world. Here, prayer unfolds not as a religious gesture, but as an intimate act of attention—a recognition of inherited tenderness, vulnerability and the unseen threads that bind past and present.




"Praying for you", 2026 | Acrylic, thread, pen, printed children’s drawings, mod podge 60 × 80 cm




Symphonic Balance, 2025 | Ink, coal, acrylic, pastel on paper | 42 × 29.7 cm

Alina Viktoria Nouridou
VISUAL ARTIST
Alina Viktoria Nouridou is a Greece-based artist, born in 1978 in Petropavlovsk-Kamchatsky, Russia. Her artistic practice explores the depths of the human inner world through the lenses of art, science, philosophy and metaphysics. Working with mixed media, she creates visual spaces that invite conscious engagement with processes of self-reflection and transformation.
Her work "Symphonic Balance" is part of the series Grey Zone, which addresses moments of deep personal transformation. The “grey zone” is understood not as a state of stagnation, but as a space of growth—a threshold where inner conflict gives way to conscious choice. Through a dialogue with one’s alter ego, the work reflects the revision of inherited values and the formation of personal inner reference points that shape perception, thinking and ultimately, one’s path.

Anna Yakusheva
VISUAL metamodernism artist
Anna Yakusheva (b. 1991) is a Ukrainian-born artist-researcher based in the UK. Her practice explores psycho-emotional states, identity and the search for meaning within human experience. While rooted in her personal journey, her works open a universal field of resonance, inviting viewers to encounter their own inner narratives through layers of image, material and symbol.
"Birth of a New Consciousness" marks the artist’s first sculptural work, developed from her existing artwork under the same title. Here, the crystal sphere appears as a luminous inner core—a symbol of awakening, transformation, and the continuity of life. The sphere is held by two sculpted hands covered with fragments of magazines assembled using Anna’s authorial technique, Quantum Collage. This approach reflects ideas of renewal, ecology and the rebirth of materials through artistic transformation.
In this sculptural form the Earth, gently held by human hands, becomes a metaphor for an emerging ethical and inner awareness. The work speaks of care, interconnectedness and the fragile balance between human presence and responsibility within the shared space of life.
Birth of a New Consciousness, 2026
The sculptural work is currently in production.
The final form is based on the presented 3D model, with the crystal sphere already completed. The sculpted hands are in the process of realization and will be completed prior to the exhibition.





For curatorial inquiries
Project title: Metamorphosis of consciousness: from image to presence
Year: 2026
Participating artists: Alina Altukhova, Natalia Averianova, Natalya Raduenz, Nina Kruser, Olga Ivkin, Alina Viktoria Nouridou, Anna Yakusheva
Project coordination:
Anna Yakusheva
email@: annayakusheva.art@gmail.com
website link: annayakusheva.com






