Collage introduces another layer — fragments of contemporary visual culture, language and collective memory. By combining printed materials with hand-painted elements, I explore the tension between the personal and the shared, the physical and the informational. Together, these materials reflect the fragmented yet interconnected way modern perception is formed. Drawn from contemporary visual culture, these fragments are reassembled into layered compositions that function both as visual fields and as archives of perception. Through this process, I explore how meaning is constructed from fragmented experience and how personal and collective narratives become intertwined.

My work often focuses on moments of transition — states in which identity, awareness and perception remain fluid rather than fixed. I am interested in the space between certainty and ambiguity, structure and intuition, the visible and the internal. Geometry, symbolism and layered compositions become tools for examining how reality is perceived, interpreted and emotionally experienced.
Rather than offering direct answers or fixed narratives, I create works that leave space for reflection and personal interpretation. I see art as a living environment for attention — a place where the viewer can pause, observe and enter into dialogue with their own perception.

Across my practice, I return to the idea of “Life as a Project”, an ongoing artistic and philosophical research process in which everyday experience, transformation and self-observation become part of the work itself. This approach allows me to move freely between the personal and the universal, combining rational structures with subjective experience.
Whether through immersive compositions, reflective surfaces or symbolic imagery, I aim to create works that hold both stillness and transformation. These are spaces where inner and outer experience begin to intersect, and where perception itself becomes part of the artwork.